Metal gaat continu door veranderingen heen, al sinds Black Sabbath voor het eerst die donkere tonen aansloeg onder de rook van Birmingham in de late jaren zestig. Nieuwe genres vliegen je om de oren en vreemde cross-overs doen het goed. Toch blijven sommige dingen gewoon bij het oude en Iron Void is daar een prima voorbeeld van. Doom, en zijn klassieke, epische variant, zijn een redelijk betrouwbaar slag metal. Er
Tag "Guido Segers"
Afscheid nemen is nooit leuk, behalve als het een twee uur durende show van Kiss is. Dan is het uiteindelijk ook niet leuk, maar je hebt twee uur lang geen moment tijd om daar over na te denken, want er zijn vlammen, explosies, lasers, schmink en rock’n’roll. En Kiss – nog één keer Kiss. Tekst: Guido Segers // Fotografie: archief van Graspop 2019 door Rob Sneltjes Paul Stanley is goed
The primal movements of the earth can be felt when Bismuth plays its second set at the Ladybird Skatepark at Roadburn 2019. Slow, purposeful drone doom, delivered with a mantra-like repetition over a fundamental groundwork of drums by Joe Rawlings. The guitars produce a growling, textured sound that hits you like sonic waves with full force. On guitar is Tanya Byrne, who also plays in Monoliths, Nadir and Dark Mother.
Great Grief plays hardcore, but not with camo shorts and baseball caps. It’s hardcore of the heart and soul, wide open and full of fire. During Roadburn 2019, the band played an added slot on Friday in Ladybird Skatepark. They had already played two shows. It was a tense set, hard and overwhelming for band and audience alike. But those are the shows where the chemistry happens, where everything becomes
The darkness is not done with us and Sunday starts early with Fear Falls Burning playing the Patronaat. But today will also show a number of black metal bands playing sets and even closing down the legendary Roadburn venue tonight. Not all of them are part of the Maalstroom project, but all do connect to the blackened sound that slithers through the day. Editor: Guido Segers In that same venue,
The more data-savvy readers might have already noticed a fatal flaw in the title, because it is, obviously slightly less. Still, doesn’t it hurt a bit when you see everything wind down at Roadburn? Slowly the circus is packing up. Editor: Guido Segers The circus is leaving town Oh ruby, roll your stockings down Circus is leaving town Oh Ruby, dry your eyes. – Mark Lanegan & Isobel Campbell –
Stakes are high during Roadburn. Whether you’re trying to get into your favorite show at the Patronaat or want a taste of that uniquely brewed beer. Get in on time to see a Q&A session or maybe squeeze into Hall of Fame for a show. But nowhere at Roadburn are the stakes higher than at the merch stands in the Koepelhal. Editor: Guido Segers It’s 13.28 on Saturday and on
As the day progresses, the Patronaat gets more crowded and some visitors would appear to have set up camp in the front of the classic venue. Some curse the venue for its tricky entrance and lack of tasty drinks. Yet, no one can deny the beauty of live shows in the hallowed church and its sad we have to see it go soon. Editor: Guido Segers Laster has just released
One of the most charming things Roadburn has to offer is one on one contact with artists and music experts. As most of us are exceptional music nerds, the side programme offers us something exciting every day. Editor: Guido Segers / Photo’s: Justina Lukosiote On Thursday, early in the afternoon, there is an exciting panel about ‘Doing it yourself’ (DIY), featuring Meredith Graves (Kickstarter), Cathy Pellow (Sargent House), Justine Jones
Tilburg turns a little colder and darker on Saturday. Both in skies and bands, as we move early into Patronaat for the first part of Maalstroom. Everyone looks a bit more haggard, a bit more pale, but with one of those Maalstroom beers in hand, one is ready for the day. Editor: Guido Segers / photo’s: Justina Lukosiote and Paul Verhagen Opening up in the Patronaat is Witte Wieven. The