As the day progresses, the Patronaat gets more crowded and some visitors would appear to have set up camp in the front of the classic venue. Some curse the venue for its tricky entrance and lack of tasty drinks. Yet, no one can deny the beauty of live shows in the hallowed church and its sad we have to see it go soon. Editor: Guido Segers Laster has just released
Sure, we could have focussed on countless impressive, taintingly ambitious projects here at Roadburn, but this one definitely caught our eye. Allowing one band to play three sets in a row in one venue, it’s daring to say the least. Croatian space-, psych- and progressive rockers Seven That Spells played their The Death and Resurrection Of Krautrock Trilogy in full in the Green Room on Friday. Editor: Ingmar Griffioen /
So far Roadburn has been treated to the black metal stylings of Slaegt at Patronaat and the emotional rollercoaster ride MONO featuring the Jo Quail Quartet at 013. But Thursday proved just to be the start of Tomas Lindberg’s curation. The second day of Roadburn is chock-full of bands straight out of The Burning Darkness selection. With, among others, Anna Von Hausswolff, Loop and At the Gates themselves. Such a
Tilburg turns a little colder and darker on Saturday. Both in skies and bands, as we move early into Patronaat for the first part of Maalstroom. Everyone looks a bit more haggard, a bit more pale, but with one of those Maalstroom beers in hand, one is ready for the day. Editor: Guido Segers / photo’s: Justina Lukosiote and Paul Verhagen Opening up in the Patronaat is Witte Wieven. The
When you’re facing a day of black metal, it’s best to come prepared. Roadburn’s Friday had plenty of heavy and dark bands, but also saddening news during the day on Friday that affects the project that is Maalstroom. Editor: Guido Segers News broke yesterday that Michiel Eikenaar had passed away, which is greatly saddening. You may have noticed bands dedicating their show to him, such as Molasses on Thursday. From
Tormented sounds howl from the Koepelhal. It is early in the afternoon and Throane brings their ritual to the stage. Standing in a circle around a massive sword sticking up from the center stage, the band delivers a pulverizing set of crushing sludge as the sun still leaks in through the windows. Almost on call the temperature seems to drop outside and a cold settles over the festival. Editor: Guido Segers
To have the Grammy Award winning Metropole orchestra play in 013 is a pleasure. To have them play the life work of Tom Gabriel Fischer, with Triptykon, at Roadburn. Well, that’s a blessing. The set-up is already grand and quite unlike you normally see on your festival set-up. Then the musicians arrive, the curtains open up and the spectacle begins. Editor: Guido Segers / Photo’s: Celtic Frost has been laid
The secret of a good dish is contrast. Any chef can tell you that. The same applies to Roadburn, where a lot of the bands play music that is complex, layered and made for deep listening. That starts early in the day with the swelling sounds of Sherpa, who begin with a trickle that builds up to a sonic surge, allowing you to float on a sea of sound. Editor:
At first sight it seems like a remarkable choice, Tomas Lindberg as this year’s Roadburn curator. Although immediately known as the frontman for melodeath stalwarts At the Gates, a little research shows a diverse career in music. From fronting bands such as Disfear to stints in Lock Up, Lindberg’s definitely caught Roadburn’s attention, culminating in a friendship with festival director Walter Hoeijmakers and resulting in a curation under the banner The
Roadburn is not exclusively about desert rock and stoner music anymore. It’s still there, but really, how far has the festival come? On Thursday, there’s something more primal happening. Folk music, in its broadest sense, is taking center stage at Roadburn, as we see performances of Myrkur, Heilung, and Hexvessel on the main stage. Editor: Guido Segers Let’s face it, many of us are looking for an escape. We are
